Artforum: ”Openings: Goldin+Senneby” by TJ Demos, March 2011

Artforum: ”Review: The Decapitation of Money” by Joanna Fiduccia, October 2010

Artforum: ”Best of 2015: 8. K. D., HEADLESS” by Magalí Arriola, December 2015

Artforum: ”Review: 6th Göteborg International Biennial” by Sinziana Ravini, December 2011

Artforum.com: “Critic’s Pick: Goldin+Seneby, Crystal, Stockholm” by Theodor Ringborg, Jan 2012

Artforum.com: ”Critic’s pick: Goldin+Senneby, The Power Plant, Toronto” by Blake Gopnik, Jan 2009

Artpress: ”Décapitation of Money” by Marie Muracciole, September 2010

Artnet: ”A Swedish Conceptual Art Duo Is Selling a New Run of Albrecht Dürer Prints” by Holly Black, July 2023

Artnet: ”Two Swedish Artists Are Hiring One Lucky Person to Do Absolutely Nothing…” by Taylor Dafoe, March 2019

ArtReview: “Headless: A Novel” by Erik Morse, Summer 2015

Artsy: ”The Story Behind the World’s Most Famous Desktop Background” by Abigail Cain, July 2017

Art & Australia: “Predictions: Art and the future” by Gregory Burke, Winter 2012

Art21 Magazine: ”Offshore Art: Artistic Strategies in a Ruined Democracy” by Mikkel Rosengaard, March 2015

Berlin Art Link: ”Goldin+Senneby: Conceptual Art and the Aesthetics of Finance” by Silver Carlsson, April 2023

Bloomberg: ”Magic Tricks and Vanishing Directors” by Matt Levine, August 2016

CNN: ”Swedish art project will pay you to do whatever you want” by Michelle Lou & Saeed Ahmed, March 2019

C-Print: ”What is the standard length of a miracle?” by Nora Hagdahl, April 2016

Dagens Nyheter: ”Tallkåda, citrustagg och barkborrar i överraskande hopkopplingar” by Milou Allerholm, April 2025

Dagens Nyheter: ”Goldin+Senneby gör konst om genmodifierade tallar” by Sofia Edgren, March 2025

Dagens Nyheter: ”Disputation. Konsten och kapitalet sitter i samma båt” by Birgitta Rubin, May 2016

Dagens Nyheter: ”K.D.: Headless” by Sinziana Ravini, August 2015

dezeen: ”Spruce Time” by Starr Charles, July 2024

Dirt: ”Spot Price: Art and Autonomy” by Daisy Alioto, October 2023

Duke University Press: The Migrant Image, by TJ Demos, 2013, pp. 163-168

e-flux criticism: ”Maria Lind in Conversation with Goldin+Senneby: An Opera” by Maria Lind & Pamela Carter, December 2016

e-flux criticism: ”Abstract Possible: The Stockholm Synergies” by Judith Schwarzbart, April 2012

e-flux criticism: ”Goldin+Senneby at Kadist Art Foundation, Paris” by Jennifer Teets, June 2010

e-flux journal: ”The Autoimmune Condition: A Report on History” by Ivana Bago, issue 119, June 2021

e-flux journal: ”Insurgency of Life” by Brian Kuan Wood, issue 109, May 2020

e-flux journal: ”What Is Wrong with My Nose: From Gogol and Freud to Goldin+Senneby (via Haraway)” by Maria Lind, issue 108, April 2020

e-flux journal: ”Too Real an Unreality: Financial Markets as Occult” by Philip Grant, issue 62, February 2015

Esse: ”Participation for sale!” by Vanessa Morisset, Autumn 2011

Frieze: ”What Do We Mean By the ‘Real’ World?” by Gary Zhexi Zhang, issue 212, July 2020

Frieze: ”Goldin+Senneby Divulge The Darkest Tricks Of The Trade” by Adam Kleinman, issue 197, September 2018

Frieze: ”Show me the Receipts” by Christy Lange, issue 182, October 2016

Frieze: ”Goldin+Senneby” by João Laia, issue 157, September 2013

Harpers Bazaar: ”The Magic of the State” by Kevin Jones, May – June 2013

Intellect Books: ”Headless information” in Uncommon Goods by Jaimey Hamilton Faris, Jaimey, 2013

Journal of Critical Globalisation Studies: ”Modelling Headless” by Angus Cameron, issue 7, 2014

Kaleidoscope: ”Current Account”by Nav Haq, issue 10, Spring 2011

Kunstforum: ”Künstlerische Praxis im Geflecht von Ökonomisierung und Globalisierung” by Barbara Steiner, issue 236, 2015

Kunstkritikk: ”System Failure” by Nora Arrhenius Hagdahl, March 2025

Kunstkritikk: ”Manipulate the Critic” by Kim West, November 2017

Kunstkritikk: ”Trickster Makes Offshore” by Matthew Rana, June 2015

LEAP: ”Goldin+Senneby: Headless” by Lucy Chinen, issue 38, May 2016

Liberation: “La finance, monstre sans tête” by Marie Lechner, September 2010

Liberation: ”Où est la valeur d’un bien virtuel?” by Marie Lechner, December 2005

Moderna Museet: ”Zero Magic” by Katie Kitamura in Manipulate the World (cat) ed Fredrik Liew, 2017

Outland: ”A bitter pill” by Gabrielle Schwarz, December 2023

Pew Center: ”Theatricality” by Raimundas Malasauskas in In Terms of Performance, 2016

Power Plant: Goldin+Senneby: Headless, ed Gregory Burke, 2009 (cat)

Power Plant: ”Hydra, the Chicken and the Egg” by Hinrich Sachs in Goldin+Senneby: Headless, 2019

Routledge: “Globalization and Transnationalism” by Liam Connell in Routledge Companion to Experimental Literature, 2012

Springerin: ”Text und Ereignis” Moritz Scherer, issue 1/2017

Sveriges Radio: ”Vems är konsten? Ett reportage om Evig anställning” by Mårten Arndtzén, February 2018

Sternberg Press: “Reading Goldin+Senneby’s Headless“ by Nicky Marsh in Intersubjectivity Vol. 1, 2016

Svenska Dagbladet: ”Bland det vackraste som visats på länge” by Ottor Ruin, March 2025

Svenska Dagbladet: ”Den märkliga vanan att äta bilder” by Adam Rosenkvist, April 2025

Svenska Dagbladet: ”Därför vill vi arbeta även om det inte behövs” by Anna-Maria Hällgren, November 2017

TNI Longreads: ”Art, Capital of the Twenty-First Century” by Aude Launay, February 2019

Thames & Hudson: Digital Art by Christiane Paul, 2008

Triple Canopy: “Headless Commercial Thriller” by Alexander Provan, issue 18, 2013

UC Press: “After the Production of Space” by Julian D. Myers-Szupinska in Critical Landscapes, 2015

Wasafiri: ”Headless, an installation by Goldin+Senneby” by Nicky Marsh, issue 66, Summer 2011

Washington Post: ”Swedish art project will pay you to do nothing…” by Antonia Noori Farzan, March 2019

X-TRA: “Plotting a Post-Crash Potboiler” by Travis Diehl, Fall 2015